At SXSW this week I met up with an old college friend and his adorable new hipster girlfriend. We’d been wandering around downtown Austin all night and were exhausted. Then we found ourselves at one of those cool new bars that have been colonizing the impoverished East Side in recent years.
A band was playing on an outdoor stage, and all the hipsters were milling around a vacant lot while drinking Lone Stars and Brooklyn Lagers.
The night had turned off cool, and my friend Phil was wearing his girlfriend’s scarf like a gaudy shawl around his shoulders. The girlfriend went off to use the pink port-a-potty, and Phil sat down against a chain-link fence. I was standing over him, telling him about my latest side project. In my free time this spring, I have been writing about the childhood friends and acquaintances of mine who went on to murder people. It’s called “The Killers I Know.”
So there I was telling Phil about the killers. Any time I talk about my past in East Texas, the stories veer off on tangents that veer off on other tangents. Eventually the little anecdotes and vignettes accumulate and circle back to the main story I had been trying to tell in the first place.
One of my oft-repeated stories concerns the young rednecks who used to ride their horses into town on the weekends. Emboldened by their numbers — or maybe from sitting so high in the saddle, looking down on the rest of us — they’d clop up and down the main drag, picking fights with people. One day they yelled at me for playing “nigger music” too loud in my Jeep (chastened, I turned down the volume). Then they trotted over to the grocery store parking lot, where they berated Bobby Clayborn’s mom and girlfriend and called them all sorts of racial slurs.
Bobby was a sacker at the grocery store. He stood up for his women.
“Mama,” he said, “you and Shameeka get in the car.”
Bobby took off his white dress shirt, which he always wore buttoned right up to the collar, and he lay the shirt on the hood of his mother’s car for safekeeping. His chest and arms were massive and sculpted. In fact, he often kissed his biceps, which he had nicknamed his pythons. For all I know, Bobby kissed the pythons on that day in the parking lot of the Food Land grocery store in Liberty City, Texas.
The rednecks climbed down from their horses, and Bobby fought them. Six, eight guys he fought all at once, and he took down several before they could overwhelm him and bring him to the ground.
(A few years earlier, I had seen Bobby similarly jumped by another set of white bullies. We were freshmen, and the seniors were hazing us. When Bobby refused to submit to their paddlings, the older guys surrounded him and converged upon him. Four or five guys were trying to hold Bobby down so a sixth could paddle him. Then, suddenly, it was like the huddle exploded. Seniors flew backward, and Bobby was spinning in circles, snorting like an angry bull. He always snorted like that during times of violence).
Not long after his fight with the rednecks, Bobby and his girlfriend had a child together, and Bobby found a better job sacking groceries at a different grocery store a short drive into town. Eventually, though, Bobby and Shameeka broke up. One day they were fighting in the front yard of Shameeka’s parents’ house when Bobby grabbed her by the neck and strangled her to death.
I looked up Bobby the other day on the Texas Department of Criminal Justice website. He’s not scheduled for release until 2020, although he’s been eligible for parole for nearly a year now.
I was telling Phil about Bobby, along with the stories of a couple of other killers, when Phil looked up from his seat against the chain-link fence. He grinned and shook his head in that wry way he has.
“Why do all of these stories sound so formulaic?” he asked.
Ouch.
I was still trying to come up with a satisfactory response when the girl next to us leaned down and projectile-vomited onto the asphalt. I turned and hurried off before the sounds and smells led me to throw up, too. We called it a night soon thereafter.
Two days later, I was reminded of Phil’s question while reminiscing about something entirely different — the preacher at my grandma’s church. The preacher used to be a used-car salesman, and now he dances around the pulpit of this little country chapel on Sunday mornings, delivering self-help sermons. You know the type: God wants you to be successful, God wants you to be happy. If you just believe in Him, then He will bless you and reward you not just in Heaven but here on earth, too.
“The check is in the mail,” the preacher promised, one Sunday when my brother Dan and I were visiting. “The check is in the mail.”
“The check,” he repeated. “Is in. The mail.”
“The check! Is in! The mail!”
“Hallelujah!” cried the congregants. “Amen!” And my brother and I sat there and snickered.
At our own church, Baptist, the sermons were much more dour. Expect to be persecuted for your faith, we were taught. Brace yourself for a life of sorrow and torment as you toil down the narrow road to Heaven. All this “check is in the mail” nonsense was so antithetical to our understanding of biblical doctrine that, years later, Dan and I still laugh about it.
“The check! Is in! The mail!”
Now I’m wondering whether that story, too, is somehow formulaic, as Phil put it, or stereotypical, or cliched.
One of my fears as a writer is that I’m too preoccupied with tired, old issues that don’t really concern modern thinkers anymore. While everyone else in my world has moved on to new debates and quandaries, I’m still obsessed with the stuff from my backwards-assed childhood in the Piney Woods.
I’m still consumed by fundamentalist Christianity, for instance, and all of its maddening contradictions. I still wonder about the allure of violence and mayhem and its place in our lives. I admire my neighbors for their love and brotherhood and am haunted by their equal capacity for hate and ignorance.
If my stories are cliches, maybe it’s because my people are cliches. We just keep repeating ourselves — and repeating our mistakes — generation after generation, spinning our wheels, digging in deeper, bound up by violence and religion.
And I doubt if I’ll ever stop writing about that.
















